It’s a typical Wednesday evening in Seattle; the only man here without an instrument in his hands is standing with arms raised, face beaming, nearly defying gravity, carried aloft by the notes that fill the room. Ladies and gentlemen, this adventurous ride is the Seattle Philharmonic Orchestra, and we invite you to follow along from beginning to end as they prepare to perform their first concert of the season.
The theme is “Danses Macabres” – ghoulish, Halloweeny tunes by American composers. But while the music may be moody, the musicians are convivial. Volunteer performers – many of whom have chosen to pursue careers outside of music – they gather weekly in high school band rooms, practice rooms and concert halls to make the kind of music that can only be made together.
Under the careful eye (and ear) of Music Director Adam Stern, the Seattle Philharmonic brings forth subtleties that – as a listener – are a pleasure to discover. In a room often filled with laughter, Stern speaks about the music using a gentle and humorous language that brings everyone onto the same page. Gould’s Tap Dance Concerto is “Gershwiny,” sort of a “controlled madness.”
Of Copland’s Rodeo, he requests: “Let it smile.” (And yet, “It can be a bit harsher. Not angry, but a little harsher… rattier.”) As if there weren’t already enough mischief in Herrmann’s The Devil and Daniel Webster, Stern asks gently, “Can you give me a little more sting?”
“Edgar Allan Poe took me by the hand and said, ‘Now I’m going to take you to your dark side.’ And I let him.” ~ Adam Stern, music director
Alongside works by Copland, Gould, Kubik and Herrman, the orchestra is preparing one of Stern’s own: Spirits of the Dead, set around a narration of Edgar Allan Poe’s poem of the same name. Muted instruments create tomblike, oppressed sounds that evoke the struggle of a man imagining the terrifying fate of life among dead souls after a life among the living.
Well, that’s creepy.
The orchestra has rehearsed these works, old and new, for eight weeks – casually at first, playing pieces from start to finish and slowly dissecting them, then intensifying in a crescendo of urgency and precision, the mood becoming determined, focused and efficient. The outcome for listeners is a nuanced, immersive musical adventure that will jump-start your imagination and make you glad to be alive.
Don’t you want to hear it now? You can, if you hurry, or if you have a time machine.
The Seattle Philharmonic Orchestra will perform Danses Macabres at Benaroya Hall on October 22, at 7:30pm. Click here to get tickets and read more about the program.
Continue below to follow the orchestra through their rehearsal adventure. All photos by Shaya Lyon for the Live Music Project.