Friday, October 26, 2018 @ 8:00pm – 9:30pm (PDT)
The Chapel at the Good Shepherd Center, Seattle, WA, United States

Jesse Myers (piano) and Leanna Keith (flute) collaborate in this concert to present two of Nicole Lizée’s etudes for glitch film of cult classics, just in time for Halloween. In her Hitchcock Etudes, the composer glitches and stitches scenes from Psycho, The Birds, Rope, and The Man Who Knew Too Much, all while superimposing live piano music on the soundtrack. In a similar manner, Lizée pulls from Tarantino’s Reservoir Dogs, Pulp Fiction, and Kill Bill, while a virtuosic bass flute solo is used to seam them all together. Check out what we believe will be an unforgettable audio-visual, avant-garde, cult film experience.

Called a “brilliant musical scientist” and lauded for “creating a stir with listeners for her breathless imagination and ability to capture Gen-X and beyond generation”, JUNO-nominated composer Nicole Lizée creates new music from an eclectic mix of influences including the earliest MTV videos, turntablism, rave culture, Hitchcock, Kubrick, 1960s psychedelia and 1960s modernism. She is fascinated by the glitches made by outmoded and well-worn technology and captures these glitches, notates them and integrates them into live performance. Nicole’s compositions range from works for orchestra and solo turntablist featuring DJ techniques fully notated and integrated into a concert music setting, to other unorthodox instrument combinations that include the Atari 2600 video game console, omnichords, stylophones, Simon™, and karaoke tapes. In the broad scope of her evolving oeuvre she explores such themes as malfunction, reviving the obsolete, and the harnessing of imperfection and glitch to create a new kind of precision.

About Leanna Keith

A freelance flutist, artist, improviser, and composer in the Seattle area, Leanna Keith (she/they) delights in creating sound experiences that make audiences laugh, cry, and say: "I didn't know the flute could do that!" Her performance artworks have focused on cultural connection and the breaking of audience/performer boundaries. Leanna is co-founder of the 501(c)(3) arts organization Kin of the Moon and is co-artistic director and flutist of the ensemble. They explore sonic rituals, promote cross-pollination of genres, and celebrate the creativity that multiplies itself through the collaboration of performers and composers. She is dedicated to playing music by composers who are still living, and advocates for the usage of music as social activism. Leanna is the professor of flute at Cornish College of the Arts.

http://leannakeithflute.com

The Chapel at the Good Shepherd Center

4649 Sunnyside Ave N
Seattle, WA 98103
United States

http://chapelspace.blogspot.com/