Sunday, October 28, 2018 @ 3:00pm – 4:30pm (PDT)
Trinity Episcopal Parish Church, Seattle, WA, United States
Ticket details

Free (Free)

Hildegard of Bingen – Selected antiphons to the Virgin Mary
Johannes Ockeghem – Alma redemptoris mater
Francisco Guerrero – Maria Magdalena et altera Maria
Anonymous – Ay, Santa Maria!
Pierre de la Rue – Ave Regina caelorum
Josquin de Prez – Stabat mater dolorosa
Juan Gutiérrez de Padilla – Ave Regina caelorum
Juan Gutiérrez de Padilla – Missa Ave Regina (Kyrie and Gloria)
Orlando di Lasso – Regina caeli laetare
Jean Mouton – Nesciens mater
Tomás Luis de Victoria – Alma redemptoris mater

Sine Nomine, conducted by Artistic Director Anne E. Lyman, will present a variety of Renaissance music for mixed voices, based on texts devoted to the Virgin Mary – including works by Hildegard, Ockeghem, Guerrero, di Lasso, and Victoria. We will also feature the motet and portions of the Missa "Ave Regina caelorum" for double choir by Juan Guttiérez de Padilla, a Spanish composer living in Puebla, Mexico from 1620-1664; the beautiful "Nesciens mater" by Jean Mouton; and the very moving "Stabat mater dolorosa" by Josquin des Prez.

About Sine Nomine: Renaissance Choir

The Renaissance choir Sine Nomine, directed by Dr. Anne Lyman, is a Community Collegium ensemble, part of the community outreach program of Early Music Seattle (EMS). Founded in 2008 by conductor Gary D. Cannon and singer/manager Pamela Silimperi, Sine Nomine is a mixed-voice chamber choir specializing in the fine performance of early music, including sacred and secular works from all regions. The ensemble’s repertoire ranges from the late Medieval to the Baroque, with special emphasis on Renaissance works of the 15th and 16th centuries. Most of the participants in Sine Nomine also sing in other choruses, ranging from church choirs to semi-professional ensembles.

Sine Nomine is a proud member of the Greater Seattle Choral Consortium (GSCC).

https://earlymusicseattle.org/sine-nomine-renaissance-choir/