Thursday, May 30, 2019 @ 8:00pm – 10:00pm (PDT)
The Chapel at the Good Shepherd Center, Seattle, WA, United States
Ticket details

$5-$15 donation

Karl Fousek (b. 1984) is a musician and composer. His works explore the sonorities of electronic sound synthesis algorithms (analog and digital) in a variety of contexts – from improvised music, to generative composition, to drone and minimalism. As a performer, he is committed to the pursuit of a truly “live” electronic music, participating in both concerts for solo synthesizer and in group improvisations alongside electronic and acoustic instrumentation. His music has been published internationally on labels such as Second Editions (DE), Dinzu Artefacts (US), Mondoj (PL), and others, and he has been featured in concert at MUTEK, Cluster New Music + Integrated Arts Festival, The Banff Centre, Sounds Like Audio Arts Festival, Vector Festival, and elsewhere. As collaborator Karl has worked with musicians Roger Tellier-Craig, Yves Charuest, and Nicolas Caloia, artist David Hartt, and filmmaker Dan Brown amongst others. As an educator he has given lectures and workshops on sound synthesis, performance, and algorithmic composition at Parsons School of Design, Université de Montréal, and many of the festivals at which he also performs. Karl is currently based in Vancouver, British Columbia, Canada.

Emerging from a love of early electronics, concrete/tape music, soundtracks and early new age, Norm Chambers creates worlds of sound that touch on many elements and moods – from spatially motivated ambient to aspects of minimalist composition and improvisation. Chambers utilizes an array of synthesizer equipment to achieve his sounds, in addition to field sounds and occasional acoustic elements

RM Francis is an artist living in Seattle working with computer-generated sound via recording, installation, and performance. His dense, kinetic compositions draw upon synthesis techniques specific to the history of computer music from the mid-twentieth century to the present. His work has been published by DRAFT, Agents of Chaos, nada, atrium and is forthcoming from Conditional. He is also a member of Mesh Collaborative, a computer music ensemble employing network architecture to explore novel modes of collective authorship and human-computer collaboration.

About RM Francis

RM Francis is a Seattle-based artist working with computer-generated sound via recordings, performances, and installations. In addition to his solo projects, in recent years he has collaborated with Jack Callahan & Jeff Witscher, Jung An Tagen, and farmersmanual, among others. His most recent releases are pedimos un mensaje (Superpang), AToGRNN Prism (tokinogake), and Every Single Person Has Some Muscle (FLEA).

https://www.rmfrancis.net

About Wayward Music Series

Each month, Nonsequitur and a community of like-minded organizations and artists present 10 concerts of adventurous and experimental music in the gorgeous Chapel Performance Space at the Good Shepherd Center: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics.

https://www.waywardmusic.org/

The Chapel at the Good Shepherd Center

4649 Sunnyside Ave N
Seattle, WA 98103
United States

http://chapelspace.blogspot.com/