Kaley Lane Eaton – Past Concerts

Mark your calendars for Monday, April 29th at 7pm and join us for an evening full of music, exploration, and creativity with Kin of the Moo…

As the sun pauses in the low slung reaches of the Seattle skyline, musical sun ritual and summoning carry on for two nights at the Chapel P…

Kaley Lane Eaton — Selected works
Dominic Matthews — Cosmic Sermon
Heather Bentley — Rewilding

A concert of music by Cornish Faculty at the NEW Cornish venue Raisbeck Auditorium at the Ivey.

Including improvisations, klezmer tunes, ori…

Leanna Keith — Rice, Blood, Sugar

So'le Celestial — Selected works
Paul Kikuchi — Selected works
Kaley Lane Eaton — Selected works
LaVon Hardison — Selected works

James Falzone — Sighs Too Deep For Words

Tom Baker Quartet performs at the Chapel Performance Space in Seattle. Our amazing friend, Kaley Lane Eaton, will join us for a new piece c…

Kelsey Mines — To Actually Create Everywhere
Kaley Lane Eaton — Cedar
Kaley Lane Eaton — the end of the line

Kaley Lane Eaton — Cedar
Kaley Lane Eaton — the end of the line (world premiere)

Wayne Horvitz — Selected works
Abbey Blackwell — Selected works
James Falzone — Selected works
Sarah Bassingthwaighte — Selected works
Michaud Savage — Selected works
Nebal Maysaud — Selected works

Composer-performer Kaley Lane Eaton presents Cedar, an electro-chamber pop song cycle, with guests Tom Baker, Ha-Yang Kim, Heather Bentley, Leanna Keith, & Kayce Guthmiller. Opening set by Guthmiller.

A digital premiere of Kaley Lane Eaton's piece Free for piano and live electronics, performed by Jesse Myers alongside new video art by the composer.

An innovative program of new electroacoustic and acoustic music that transcends genre and classification.

UW doctoral student Kaley Lane Eaton presents a degree recital in composition. Free and open to the public.

Kate Soper – Only the Words Themselves Mean What They Say
Eve Beglarian – Robin Redbreast
Kaley Lane Eaton – Karma Repair Kit
TBA
improvisation for flute and voice with electronics

A psychedelic, post-minimalist kaleidoscope of Eaton's recent work, dancing the tension lines between the body, the mind, the instrument, and the computer.