Peter Nelson-King: Feldman – For Bunita Marcus

Peter Nelson-King, piano

Morton Feldman – For Bunita Marcus

Morton Feldman's For Bunita Marcus (1985) is one of the great piano masterpieces of the late 20th Century. Building on a handful of notes and pregnant pauses, Feldman uses his singular talent to spin magic glass and dance through silence. Lasting 72 minutes in one unbroken movement, For Bunita Marcus brings music to the event horizon.

Multi-instrumentalist Peter Nelson-King will perform the work while showcasing his original visual art in public for the first time, primarily asemic writing on salvaged materials. These pieces, including an enormous scroll, will be arranged throughout the performance space, and audience members are encouraged to walk around to view the works during the performance in a one-of-a-kind immersive experience.

In-person only, not livestreamed.

The concert will take place at 8pm.

Tickets at the door: $5-$15 sliding scale donation. Mr. Nelson-King is fully vaccinated, but masks and social distancing are encouraged and windows will be open weather-permitting.

About Peter Nelson-King

Peter Nelson-King is an active performer and teacher on trumpet and piano, and plays regularly with multiple orchestras and large ensembles in the Seattle area. A King County native, they earned degrees from University of Puget Sound and Boston University, returning to the Seattle area after freelancing in the Northeast. They are a longtime member of Lake Washington Symphony Orchestra and Brass Band Northwest, and a frequent recurring member of the experimental jazz group Scrambler. As a solo and chamber performer, they specialize in promoting works by composers who have unjustly fallen into neglect, and have revived major works by dozens of these composers for Seattle audiences.

About Wayward Music Series

Each month, Nonsequitur and a community of like-minded organizations and artists present 10 concerts of adventurous and experimental music in the gorgeous Chapel Performance Space at the Good Shepherd Center: contemporary/post-classical composition, free improvisation and the outer limits of jazz, electronic/electroacoustic music, new instruments, phonography, sound art, and other innovative musics.